View of people paddleboarding with mountains in the background

In a faraway inlet north of the Sleat peninsula, Donald Macpherson swept his blade the length of his paddleboard and announced it was time to race the weather.

Up until this point, the sea loch had been silk-smooth and sparkling — the definition of holiday blue — and we had been paddling the sun-charged shallows of Coral Island, a sandy skerry to get adventurers dreaming. To one side was a heather-clad slope climbing to meet a pine forest, its stags skulking inside. To the other, across the surface of Loch Eishort, the keel-shaped spine of the Black Cuillin hills, rising as if right from the water. “Britain’s most beautiful mountains,” said our SUP guide, by way of introduction, “and yet, a view so extraordinary it’s beyond the reach of most people.

The gentle rhythms and hard igneous lines of the Isle of Skye’s coast can be overwhelming, even for those who know the island best. On the face of it Scotland’s most-touted island is the last place you’d expect to find backcountry adventure — it does, after all, cater to everyone, with options from family-friendly hikes and distillery tours to an unexpected Jurassic-era dinosaur museum, and a glen imbued with fairy folktales. And, with international travel still not yet fully open, these are all places that will have even more attention this autumn.

And yet, Skye’s Atlantic face remains a blank space at the top of the British map for adventurers. Only in recent years, thanks to the rise in popularity of SUP and sea kayaking, has exploring its nooks, crannies and caves become possible for most of us. The idea of discovering a familiar place from a new angle — to see parts of the coastline that you can’t otherwise reach — was the clincher for me.

view of mountains with birds flying in the foreground

Before the wind had picked up, turning Loch Eishort into a sea of quivering waves, we’d set off from the beach at Ord, a cluster of crofts scattered around the shoreline’s rocky fringe. To get to Coral Island — before a loop around the Elgol peninsula to return to our wild camp at Tokavaig — we’d cut across a strait marked with the polished heads of curious seals. Above them, a white-tailed sea eagle spiralled, looking down on our three man SUP team — me, Norfolk-based photographer Rich and Donald.

two men carrying paddleboards on a beach

The secret side of Skye

The landscape looked empty at first — a watercolour, still and inspiring — but, up close, I found detail everywhere. Cormorants drying their wings in the sun; submarine maerl beds and vermilion sea kelp shifting in slow-motion; squirming fish and oystercatchers trying to debone them. On another day, we might have seen and heard more — a purring fishing boat, perhaps, or a farmer revving his 4x4 to herd wayward sheep — and for a moment I completely lost my sense of geography. Paddling in golden sunlight, the v-shaped hull breaking the surface tension with ease, we could have been in St Kitts. Not Skye. The first day’s climax was claiming our own private island for the afternoon, then retreating to set up camp in the shadows of Dunscaith Castle, an off-shore ruin with a story lost to the tides. The island was a bonanza of footprint-free sand and translucent waters, its exotic backbone focussing our minds on how lucky we were.

2 tents of the Isle of Skye

That evening, looking out towards Elgol in the soft-focus of sunset, I saw a fishing boat heading towards the western horizon, creel nets loosely hanging from the stern. Exhausted, I then sleepily listened to Donald tell me about other SUP adventures that would have to wait. The island of Soay, nearly uninhabited and home to a failed basking shark factory. Slochd Altimen, or Spar Cave, a cathedral- shaped sea inlet once abseiled into by Bear Grylls and — of all people — Ben Stiller. And then, out came the stars and the last thing I saw before zipping up my tent was the dark silhouette of the Cuillin in the half-light. Hard-earned snoring might have drowned out the waves.

A wreck of a fishing boat with Caisteal Maol in the background

We set off under the much-photographed Skye Bridge, ferry gliding by using the flow of water to move our boards sideways across the strait. At first, we looped around the tiny outcrop of Eilean Bàn and its chess-piece lighthouse, before turning north for a panorama taking in the foreground of Loch Carron, then Scalpay, Raasay, and Applecross in the distance. It was postcard Skye, right enough, but seen in a whole new light and from a far rawer perspective.

A lighthouse on The Isle of Skye

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